在观看完一部作品以后，相信大家一定领会了不少东西，不能光会看哦，写一篇观后感吧。现在你是否对观后感一筹莫展呢？本文是编辑为大伙儿找到的《阿甘正传》观后感（优秀3篇），欢迎阅读，希望对大家有所启发。
《阿甘正传》观后感 篇一
生活就像一盒巧克力，你永远不知道下一个是什么味道！你可能听了不少于1万遍，但你可以知道他背后的故事，他的起源，那个温暖而鼓舞人心的故事！
阿甘，先天腿残疾，先天智商有问题，看似不幸的命运，却是化蛹为蝶的最佳引子！
在这部电影中，阿甘是一个被鄙视的弱智。在被伴侣戏弄和追逐时，他试图努力工作。最后，他摆脱了脚架的束缚，跑出了令人惊叹的荣耀！
在炮火连天的战场上，阿甘跑去救战友，让失去双腿的战友重燃对生命的希望！最后，阿甘凭借这种愚蠢成为亿万富翁！
我们在阿甘看到了什么？是运气吗？不，纯洁的人性；对战友的真诚；对朋友的承诺；对爱的执着；对母亲的爱！
在追求梦想的道路上，愿各自心中的阿甘永远是我们的同路人！
如果风和阳光明媚，你会感到快乐：如果风更猛，你会感到生活的寒冷。只要你写下这段经历，你就会有人们的经历，你就不会白活。
至于羽毛是快乐地停留在草地上，还是不幸地掉进污泥里，再也飞不起来，个人很难决定。因此，《阿甘正传》中羽毛的使用可以说是导演的画龙点睛。它看起来很轻，但它实际上是最重的道具。
《阿甘正传》读后感 篇二
人生就像各种各样的朱古力，你永远不会明白那一块属于你。阿甘母亲的这一句话，向我们证明了：每一个人的生命轨迹都是存在的，而且是独一无二的。阿甘，就正是听着这样的教诲，一步一个脚印地踩出了属于自己的生活奇迹。
在影片的开头和结尾，会看到：在广阔的蓝天下，一根轻盈而洁白的羽毛从天而降，缓缓地降落在阿甘的脚下。我想，这其实正是影片在暗示我们：这个世界上，如果有人把生命看得像羽毛般纯洁、平淡而美丽，那么，这个人，必须是阿甘。
幼年的阿甘以前腿有残疾，于是，阿甘的母亲就不得不为她心爱的儿子套上一个笨重的铁架，以辅助他行走。于是，每次放学后，同伴们就会在路上讥笑阿甘、玩弄阿甘，甚至追赶着阿甘向他扔石头。往往这时，那位女同学珍妮就会喊道：阿甘，快跑。然后，阿甘惊慌，拔腿就想跑，跌倒了挣扎着爬起渐渐地，铁架子便不在束缚着他，最后他奔跑如飞了。同伴们追不上他，只能眼睁睁的巴望着而束手无策。这，就应说是阿甘人生中的第一个奇迹。凭着惊人的奔跑速度，阿甘进了橄榄球队，以后又进了大学并最终顺利毕业。不久，他参加了越南战争。在越南战场上，阿甘的部队中了埋伏，一声撤退令下，阿甘记起珍妮的嘱咐：打但是，就跑。阿甘于是转头就跑。他成了唯一幸免的人。看到那里，观众大概都会发笑。阿甘如果不是跑得快，就不可能之后回到去救出负伤的战友；阿甘如果不回去拯救战友，那么阿甘也就不是阿甘了。
也许，以前，有的人常常会感觉到生活的负担过重，就因为面前的困难重重，而整天垂头丧气、郁郁寡欢。而阿甘呢，信念是这样的单纯，目标又是这样的清晰，即使先天不足，甚至是面前有穷山恶水，但阿甘也绝对能够以一颗平常的心视之，并最终一一跨过。从而到达生命之巅、获得自己最终的辉煌。
阿甘一生中只有一种爱支撑人生，那就是母爱；阿甘一生只爱一个女孩珍妮，除此他永远心如止水；他能够为了纪念死去的战友巴布，而干起自己并不熟悉的捕虾业
在生命的每一个阶段，阿甘的心中只有一个目标在指引着他，他也只为此而踏实地、不懈地、坚定地奋斗，直到这一目标完成，又或是新的目标出现。没有单纯的抉择就不会没有心灵的杂念；而没有心灵杂念的人，大概才能够在人生中举重苦轻。
阿甘在影片中被塑造成了美德的化身，诚实、守信、认真、勇敢而重视感情，对人只懂付出不求回报，也从不介意别人拒绝，他只是豁达、坦荡地应对生活。他把自己仅有的智慧、信念、勇气集中在一点，他什么都不顾，只明白凭着直觉在路上不停地跑，他跑过了儿时同学的歧视、跑过了大学的足球场、跑过了炮火纷飞的越南战争泥潭、跑过了乒乓外交的战场、跑遍了全美国，并且最终跑到了他的终点。
每一个看过《阿甘正传》的人都会从中得到些许感悟：生命就像那空中白色的羽毛，或迎风搏击，或随风飘荡，或翱翔蓝天，或堕入深渊！
阿甘正传英文影评 篇三
I've never met anyone like Forrest Gump in a movie before, and for that matter I've never seen a movie quite like “Forrest Gump.”Any attempt to describe him will risk ma-ki-ng the movie seem more conventional than it is, but let me try. It's a edy, I guess. Or maybe a drama. Or a dream.
The screenplay by Eric Roth has the plexity of modern fiction, not the formulas of modern movies. Its hero, played by Tom Hanks, is a thoroughly decent man with an IQ of 75, who manages between the 1950s and the 1980s to bee involved in every major event in American history. And he survives them all with only honesty and niceneas his shields.
And yet this is not a heartwarming story about a mentally retarded man. That cubbyhole is much too small and limiting for Forrest Gump. The movie is more of a meditation on our times, as seen through the eyes of a man who lacks cynicism and takes things for exactly what they are. Watch him carefully and you will understand why some people are criticized for being “too clever by half.” Forrest is clever by just exactly enough.
Tom Hanks may be the only actor who could have played the role.
I can't think of anyone else as Gump, after seeing how Hanks makes him into a person so dignified, so straight-ahead. The per formance is a breathtaking balancing act between edy and sadness, in a story rich in big laughs and quiet truths.
Forrest is born to an Alabama boardinghouse owner （Sally Field） who tries to correct his posture by ma-ki-ng him wear braces, but who never criticizes his （www.kaoyantv.com）mind. When Forrest is called “stupid,” his mother tells him, “Stupid is as stupid does,” and Forrest turns out to be incapable of doing anything lethan profound. Also, when the braces finally fall from his legs, it turns out he can run like the wind.
That's how he gets a college football scholarship, in a life story that eventually bees a running gag about his good luck. Gump the football hero bees Gump the Medal of Honor winner in Vietnam, and then Gump the Ping-Pong champion, Gump the shrimp boat captain, Gump the millionaire stockholder （he gets shares in a new “fruit pany” named Apple Computer）， and Gump the man who runs acroAmerica and then retraces his steps.
It could be argued that with his IQ of 75 Forrest does not quite understand everything that happens to him. Not so. He understands everything he needs to know, and the rest, the movie suggests, is just surplus. He even understands everything that's important about love, although Jenny, the girl he falls in love with in grade school and never falls out of love with, tells him, “Forrest, you don't know what love is.” She is a stripper by that time.
The movie is ingenious in taking Forrest on his tour of recent American history. The director, Robert Zemeckis, is experienced with the magic that special effects can do （his credits include the “Back to the Future” movies and “Who Framed Roger Rabbit”）， and here he uses puterized visual legerdemain to place Gump in historic situations with actual people.
Forrest stands next to the schoolhouse door with George Wallace, he teaches Elvis how to swivel his hips, he visits the White House three times, he's on the Dick Cavett show with John Lennon, and in a sequence that will have you rubbing your eyes with its realism, he addresses a Vietnam-era peace rally on the Mall in Washington. Special effects are also used in creating the character of Forrest's Vietnam friend Lt. Dan （Gary Sinise）， a Ron Kovic type who quite convincingly loses his legs.
Using carefully selected TV clips and dubbed voices, Zemeckis is able to create some hilarious moments, as when LBJ examines the wound in what Forrest describes as “my butt-ox.” And the biggest laugh in the movie es after Nixon inquires where Forrest is staying in Washington, and then remends the Watergate. （That's not the laugh, just the setup.） As Forrest's life bees a guided tour of straight-arrow America, Jenny （played by Robin Wright） goes on a parallel tour of the counterculture.
She goes to California, of course, and drops out, tunes in, and turns on. She's into psychedelics and flower power, antiwar rallies and love-ins, drugs and needles. Eventually it bees clear that between them Forrest and Jenny have covered all of the landmarks of our recent cultural history, and the acmodation they arrive at in the end is like a dream of reconciliation for our society. What a magical movie.